10 Cloverfield Lane
Dir: Dan
Trachtenberg
2016
****
10 Cloverfield
Lane started out as a simple script titled The Cellar and
followed a similar premise but when the people at Bad Robot Productions put
their heads together they decided that with a couple of small tweaks, The Cellar was the perfect opportunity to sneak out a
sort-of sequel to their 2008 monster picture Cloverfield. Thankfully the
decision to film it with a good old fashioned third-person narrative was
made early on and it is a suitably still and well composed visual experience. I
honestly don't think I could watch another 'found footage' type film again, I
believe the sub-genre is dead until proven otherwise. The original Cloverfield made quite an impact, the truth is it was a very
average monster movie but it was the found footage element and the way it was
marketed that really made it stand out. I enjoyed it as much as I enjoy any big
monster movie but personally I find it somewhat of a turn off when the gimmicky
advertising for a film makes more of an impact than the actual film itself. The
film itself didn't really do anything new, it did take found footage to the
very limits but I would argue that the sub-genre has seen much better. I
actually found it unwatchable at times and I wasn't at all fussed about the
conclusion. 10 Cloverfield Lane on the other hand has grabbed
my attention and has almost made the first film more intriguing. I hadn't
really cared about the origins of the original monster but now after watching
the next chapter I want to know more. Even though I knew the films were linked
I wasn't aware of the film's conclusion and I'm glad to say it isn't
predictable at all. There are plenty of 'trapped in a cellar' type films out
there but 10 Cloverfield Lane is certainly one of the best and more
original of the genre. It's not that it tries anything particularly new
either, it just gets the mood and setting right and makes it look easy in the
process, although that ending helped. The film's structure is key to its
success and the viewer is left second-guessing right up to the end credits. The
simple but detailed set was very well thought-through and gave the film that
eerie feeling you get from watching old 50s sci-fi movies - a clear tribute to
the films it is influenced by. Mary Elizabeth Winstead is well cast as our
protagonist and John Gallagher Jr. plays the mystery companion rather well.
However, it is John Goodman who steals the show as a volcano of man who is
responsible for their survival as well as their suffering. It's not a film full
of tricks and twists but of chilling tension. It's really not just for lovers
of sci-fi and anyone who didn't like Cloverfield need not be put off by
its connection. It was 2016's surprise sort-of sequel that no one really
asked for but were grateful for all the same.
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