The Night Before
Dir: Jonathan Levine
2015
***
The Night Before stars Seth Rogan, Joseph
Gordon-Levitt and Anthony Mackie and is directed by Jonathan Levine, so it is
fair to say that if you're familiar with these people's work you will know
exactly what to expect. The three friends spend each Christmas Eve together
because 'family' and they have gotten up to all sorts of madness over the
years. After one becomes famous and one has impending fatherhood, the three
decide that this year will be their last. Fame and fatherhood are explored as
is a love story and general coming of age. It actually all gets in the way
somewhat because the film is really sold as an adventure-fuelled evening where
anything can and will happen. As it is, lots of sensible things happen and
overall plot (and its various sub-plots) trundle on and on and on. Seth Rogan's
character finally takes some drugs about half way through the movie and by the
time you question the length of this particular evening, you have also probably
given up caring much about the characters and what happens to them. This
'comedy' cries out of something funny to happen for the majority of the run
time. It's not without its moments but most of them are predictable, obvious or
were shown in the trailer. Seth Rogan on drugs, who would have thought it.
There are some nice little moments along the way and some appreciated cameos
but overall it is the unquestioned fantasy element of the film that really
makes it a success. Michael Shannon plays a drug dealer with insight early on
in the movie and nothing more is directed at him. He them pops up again and it
soon becomes apparent that his is more than just an unusual cameo. The/his
conclusion made the film for me, or at least, made up for all the things I
didn't like about the film until that point. It's never unlikable, it just
tries to do far too much in one sitting. It needed to be simplified and maybe
made just that little bit sillier. There is a great part whereby a drugged up
Rogan sits within a Church's nativity scene and talks to Jesus as if he were
just a guy on the street. I guess too much of that kind of thing would have
only worked for so long but the rest of the film is full of schmaltz and
far too much self-analysis. It was if the film was saying 'hey everyone, we're
a fun, non-serious Christmas film' and then got all serious because it
remembered it had to, as if it were a Christmas film rule or something. To be
washed down with plenty of eggnog for complete enjoyment.
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