The Babadook
Dir: Jennifer Kent
2014
****
Jennifer Kent's original horror The Badabook is
quite a triumph, even though it may not seem so initially. After a few acting
stints, Kent realised her passion for film and interest in working within the
industry, was probably best suited working behind the camera, rather than in
front of it. After watching Dancer
in the Dark, she actually contacted Lars von Trier and asked if she could
shadow him, stating that she didn't really like the idea of going to film
school. Amazingly, Trier agreed and she ended up assisting him during the
filming of Dogville. While I can't see any of Trier's visual style as influence
in The Babadook, it is clear that that Kent has developed a unique and
independent approach to film making. It's rather good too. Haunted house
horrors are ten a penny, you've got to be pretty original these days in order
for people to take any notice and that is exactly what Kent has done.
The film isn't just a ghost story/ slasher/haunted house/exorcist style romp,
it's far more a psychological thriller but without any of the
sudo-science, pop-psychology nonsense. It's a classic formula,
executed in a mature, thought-provoking manner with plenty of surprises as
well as a satisfying conclusion. It really isn't about what you may think
and I think it's a bold and brilliant idea, the sort of thing I’m sure Trier
approved of. Unlike many a ghostly villain, The
Badabook itself is one of the more terrifying characters of recent years,
for more than one reason. Kent studied acting alongside leading lady Essie
Davis and I think the fact that they were both close is one of the reasons the
film works so well. Davis is captivating and utterly believable as a young
single Mum, haunted by The Badabook and struggling to bring up her
erratic son Sam. Sam is played by young Noah Wiseman who is sensational in
his rather complicated role. I'm not sure the film would have worked so well
had it not been for the brilliant chemistry between Davis and Wiseman. The idea
is original and gives the viewer a lot to think about, mix this with the
beautiful visuals with a strong German expressionist style, you've got a modern
day horror/thriller that feels like one of the great horror films of the 1970s.
The 70s had the best of everything in my opinion but directors like Roman
Polanski, John Carpenter, Stanley Kubrick, Nicolas Roeg and Dario Argento (to mention
just a few) were really pushing the boundaries in
the genre and making some stunning and terrifying films. Kent's The
Badabook really does fit in with these film. The Exorcist director William
Friedkin stated on twitter that the film was as good as Psycho, Alien and
Diabolique and that he hadn't ever seen a more terrifying film. High
praise indeed and Kent deserved it.
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