Wednesday, 23 January 2019

The Host (Gwoemul)
Dir: Bong Joon-ho
2007
*****
If Godzilla was a metaphor for the atom bomb and Cloverfield was a metaphor for 911, than The Host is definitely, albeit subtly, a metaphor for the disaster that is waiting to happen due to pollution and world government’s slow reaction to do anything about it. Joon-ho Bong also seems to have a problem with the Korean Government and American military involvement overseas. This fun film full of adventure and comedy is full of antagonism and symbolism. In 2000, an American military pathologist (Scott Wilson) orders his Korean assistant (Brian Lee) to dump 200 bottles of formaldehyde down a drain leading into the Han River. Over the next several years, there are sightings of a strange amphibious creature in the waterway and the fish in the river die off. A suicidal man, just before jumping into the river, sees something dark moving in the water. Five years later, a slow-witted young man named Park Gang-du (the brilliant Song Kang-ho) runs a small snack-bar in a park near the River with his father, Hee-bong (Byun Hee-bong). Other family members are Gang-du's daughter, Hyun-seo (Go Ah-sung); his sister Nam-joo (Bae Doona), a national medalist archer; and his brother, Nam-il (Park Hae-il), an alcoholic college graduate and former political activist. While Gang-du is delivering food to some customers, a huge creature emerges from the Han River and begins attacking people. Gang-du sees his daughter in the crowd and tries to grab her and run. As he realizes he has grabbed the wrong girl, he sees the creature snatching Hyun-seo and diving back into the river. After a mass funeral for the victims, government representatives and the American military arrive and quarantine people who had contact with the creature, including Gang-du and his family. It is announced that the creature is not only a direct danger, but also the host of a deadly, unknown virus. Gang-du is in a hospital when he receives a phone call from Hyun-seo. She is on the phone long enough to explain that she is trapped somewhere in the sewers with the creature, but her phone stops working shortly after. Gang-du tries to explain this to others, but his claims go ignored by all except his family. The four of them escape the hospital. Hee-bong buys a truck, weapons, and a map of the sewers to look for Hyun-seo. They soon encounter the creature and they discover their gun only serves to anger it, and Hee-bong is killed buying time for his children to escape. Gang-du is captured by the Army. Nam-il and Nam-joo escape but are separated from each other. Meanwhile, two homeless boys who are searching for food are attacked and swallowed by the creature. It returns to its sleeping area in the sewer, a large hole, and regurgitates them. Miraculously one survives, a boy called Se-Joo. Hyun-seo helps Se-Joo hide in a spot the creature cannot reach them. Nam-il meets an old friend (Yim Pil-sung) to trace the location of Hyun-seo's call. He learns that the government has placed a bounty on his family. The friend tries to capture Nam-il, but he manages to escape after obtaining Hyun-seo's general location. He texts the location to Nam-joo and Gang-du. He meets a homeless man (Yoon Je-moon) who knows about the quarantine but decided to stay in the city. After learning of Nam-il's intentions, the man decides to help him. Gang-du overhears an American scientist (Paul Lazar) discussing the fact that there is no virus; it is all made up to distract people from the creature's origin. The scientists decide to lobotomize Gang-du to silence him. Gang-du escapes by taking one of the nurses hostage and continues searching for his daughter. Back in the sewers, while the creature is sleeping, Hyun-seo makes a rope from old clothes and uses it to get out of the hole. She realizes too late that the creature only feigns sleep to lure her out of her hiding spot and Hyun-seo and Se-joo are both swallowed by the creature. The government announces the plan to release a chemical called Agent Yellow into the river and the surrounding area, hoping it will kill the creature. Gang-du finds the creature's sleeping spot but sees no one there. As Gang-du climbs down to the hole, the monster passes over him. He sees Hyun-seo's arm hanging out of its mouth and gives chase, meeting Nam-joo on the way. The creature makes its way to the location where Agent Yellow is released and a large crowd has formed in protest. As the creature attacks the crowd, Agent Yellow is released, which appears to stun the creature. Gang-du pulls Hyun-seo out of its mouth and sees her still clutching Se-joo; Hyun-seo is revealed to have died protecting him. Gang-du, enraged at his daughter's death, attacks the creature as it wakes up, but is knocked to the ground. Nam-il and the homeless man come to Gang-du's aid. While Nam-il throws Molotov cocktails at the creature, the homeless man pours gasoline onto it. Nam-il accidentally drops his last bottle. Nam-joo picks up the flaming cloth from the bottle with one of her arrows and fires it at the creature, setting it on fire. Before the creature can escape into the water, Gang-du impales it with a metal pole, finally killing it. As Nam-il and Nam-joo hold Hyun-seo, mourning her death, Gang-du revives Se-joo and takes him to safety. In the final scene, Gang-du has adopted Se-joo. The two live in his food stand, and he still watches over the river. They have a meal together, ignoring a news broadcast about the aftermath of the incident, on Se-joo's encouraging that they concentrate on eating. Never before has any film been so exciting, unexpected, funny and sad. It’s one hell of a film. Bong Joon-ho’s previous film Memories of Murder was so good, his follow up was hotly anticipated but no one knew it would be this good and so different. The initial idea came from a local article about a deformed fish with an S-shaped spine caught in the Han River. Therefore, the director's wishes were for it to look like an actual mutated fish-like creature, rather than have a more fantastical design. The film was in also part inspired by an incident in 2000, in which a Korean mortician working for the U.S. military in Seoul dumped a large amount of formaldehyde down the drain. In addition to its environmental concerns, this caused some antagonism toward the United States. The American military stationed in South Korea is portrayed as uncaring about the effects their activities have on the locals. The chemical agent used by the American military to combat the monster in the end, named "Agent Yellow" in a thinly-veiled reference to Agent Orange, was also used to satirical effect. Bong Joon-ho, commented on the issue: "It's a stretch to simplify The Host as an anti-American film, but there is certainly a metaphor and political commentary about the U.S.” Because of its themes, which can be seen as critical of the United States, the film was lauded by North Korean authorities, a rarity for a South Korean blockbuster film. The film features a satirical portrayal of the South Korean government as bureaucratic, inept, and essentially uncaring. Korean youth protesters are featured satirically in the film, in a mixed way, partially heroic and partially self-righteous and oblivious. According to Bong Joon-ho, the Park Nam-il character is a deliberate anachronism, a reference to South Korea's troubled political history, which involved violent protest. "When you look in terms of this character, it's sort of like the feeling of time going backwards. You could say that he is the image of the college protester back ten years ago; it doesn't exist in the present day.” It’s everything a monster movie should be but with added intelligence and plenty of subtle satire. I honestly can’t think of another director who could have made a film like this. My favorite fact about the film is that Joon-ho Bong and the designer of the creature nicknamed it Steve Buscemi, based on the actor's screen persona and the way he acted in the movie Fargo.

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