Dir: Bong Joon-ho
2007
*****
If Godzilla was a metaphor for the atom bomb
and Cloverfield was a metaphor for 911, than The Host is definitely, albeit
subtly, a metaphor for the disaster that is waiting to happen due to pollution
and world government’s slow reaction to do anything about it. Joon-ho Bong also
seems to have a problem with the Korean Government and American military
involvement overseas. This fun film full of adventure and comedy is full of
antagonism and symbolism. In 2000, an American military pathologist (Scott
Wilson) orders his Korean assistant (Brian Lee) to dump 200 bottles of formaldehyde down
a drain leading into the Han River. Over the next several years, there are
sightings of a strange amphibious creature in the waterway and the fish in the
river die off. A suicidal man, just before jumping into the river, sees something
dark moving in the water. Five years later, a slow-witted young man named Park
Gang-du (the brilliant Song Kang-ho) runs a small snack-bar in a park near the
River with his father, Hee-bong (Byun Hee-bong). Other family members are
Gang-du's daughter, Hyun-seo (Go Ah-sung); his sister Nam-joo (Bae Doona), a
national medalist archer; and his brother, Nam-il (Park Hae-il), an
alcoholic college graduate and former political activist. While Gang-du is
delivering food to some customers, a huge creature emerges from the Han River
and begins attacking people. Gang-du sees his daughter in the crowd and tries
to grab her and run. As he realizes he has grabbed the wrong girl, he sees the
creature snatching Hyun-seo and diving back into the river. After a mass
funeral for the victims, government representatives and the American military
arrive and quarantine people who had contact with the creature, including
Gang-du and his family. It is announced that the creature is not only a direct
danger, but also the host of a deadly, unknown virus. Gang-du is in a hospital
when he receives a phone call from Hyun-seo. She is on the phone long enough to
explain that she is trapped somewhere in the sewers with the creature, but her
phone stops working shortly after. Gang-du tries to explain this to others, but
his claims go ignored by all except his family. The four of them escape the
hospital. Hee-bong buys a truck, weapons, and a map of the sewers to look for
Hyun-seo. They soon encounter the creature and they discover their gun only
serves to anger it, and Hee-bong is killed buying time for his children to
escape. Gang-du is captured by the Army. Nam-il and Nam-joo escape but are
separated from each other. Meanwhile, two homeless boys who are searching for
food are attacked and swallowed by the creature. It returns to its sleeping
area in the sewer, a large hole, and regurgitates them. Miraculously one
survives, a boy called Se-Joo. Hyun-seo helps Se-Joo hide in a spot the
creature cannot reach them. Nam-il meets an old friend (Yim Pil-sung) to trace
the location of Hyun-seo's call. He learns that the government has placed a bounty
on his family. The friend tries to capture Nam-il, but he manages to escape
after obtaining Hyun-seo's general location. He texts the location to Nam-joo
and Gang-du. He meets a homeless man (Yoon Je-moon) who knows about the
quarantine but decided to stay in the city. After learning of Nam-il's
intentions, the man decides to help him. Gang-du overhears an American
scientist (Paul Lazar) discussing the fact that there is no virus; it is all
made up to distract people from the creature's origin. The scientists decide to
lobotomize Gang-du to silence him. Gang-du escapes by taking one of the nurses hostage
and continues searching for his daughter. Back in the sewers, while the
creature is sleeping, Hyun-seo makes a rope from old clothes and uses it to get
out of the hole. She realizes too late that the creature only feigns sleep to
lure her out of her hiding spot and Hyun-seo and Se-joo are both swallowed by
the creature. The government announces the plan to release a chemical called
Agent Yellow into the river and the surrounding area, hoping it will kill the
creature. Gang-du finds the creature's sleeping spot but sees no one there. As
Gang-du climbs down to the hole, the monster passes over him. He sees
Hyun-seo's arm hanging out of its mouth and gives chase, meeting Nam-joo on the
way. The creature makes its way to the location where Agent Yellow is released
and a large crowd has formed in protest. As the creature attacks the crowd,
Agent Yellow is released, which appears to stun the creature. Gang-du pulls
Hyun-seo out of its mouth and sees her still clutching Se-joo; Hyun-seo is
revealed to have died protecting him. Gang-du, enraged at his daughter's death,
attacks the creature as it wakes up, but is knocked to the ground. Nam-il and
the homeless man come to Gang-du's aid. While Nam-il throws Molotov cocktails
at the creature, the homeless man pours gasoline onto it. Nam-il accidentally
drops his last bottle. Nam-joo picks up the flaming cloth from the bottle with
one of her arrows and fires it at the creature, setting it on fire. Before the
creature can escape into the water, Gang-du impales it with a metal pole,
finally killing it. As Nam-il and Nam-joo hold Hyun-seo, mourning her death,
Gang-du revives Se-joo and takes him to safety. In the final scene, Gang-du has
adopted Se-joo. The two live in his food stand, and he still watches over the
river. They have a meal together, ignoring a news broadcast about the aftermath
of the incident, on Se-joo's encouraging that they concentrate on eating. Never
before has any film been so exciting, unexpected, funny and sad. It’s one hell
of a film. Bong Joon-ho’s previous film Memories of Murder was so
good, his follow up was hotly anticipated but no one knew it would be this good
and so different. The initial idea came from a local article about a deformed
fish with an S-shaped spine caught in the Han River. Therefore, the director's
wishes were for it to look like an actual mutated fish-like creature, rather
than have a more fantastical design. The film was in also part inspired by an
incident in 2000, in which a Korean mortician working for the U.S. military
in Seoul dumped a large amount of formaldehyde down the
drain. In addition to its environmental concerns, this caused some antagonism
toward the United States. The American military stationed in South Korea is
portrayed as uncaring about the effects their activities have on the locals.
The chemical agent used by the American military to combat the monster in the
end, named "Agent Yellow" in a thinly-veiled reference to Agent
Orange, was also used to satirical effect. Bong Joon-ho, commented on the
issue: "It's a stretch to simplify The Host as an
anti-American film, but there is certainly a metaphor and political commentary
about the U.S.” Because of its themes, which can be seen as critical of the
United States, the film was lauded by North Korean authorities, a
rarity for a South Korean blockbuster film. The film features a satirical
portrayal of the South Korean government as bureaucratic, inept, and
essentially uncaring. Korean youth protesters are featured satirically in the
film, in a mixed way, partially heroic and partially self-righteous and
oblivious. According to Bong Joon-ho, the Park Nam-il character is a deliberate
anachronism, a reference to South Korea's troubled political history, which
involved violent protest. "When you look in terms of this character, it's
sort of like the feeling of time going backwards. You could say that he is the
image of the college protester back ten years ago; it doesn't exist in the
present day.” It’s everything a monster movie should be but with added
intelligence and plenty of subtle satire. I honestly can’t think of another
director who could have made a film like this. My favorite fact about the film
is that Joon-ho Bong and the designer of the creature nicknamed
it Steve Buscemi, based on the actor's screen persona and the way he acted
in the movie Fargo.
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