Trumbo
Dir: Jay Roach
2015
*****
Trumbo takes a somewhat simplistic approach to telling a
complicated story, it has received criticism for doing so
but personally I think it was the right move to tell the story in a correct
manner. The film is about the blacklisting of those working in Hollywood who
were believed to be members of the communist party which came about
during the second 'red scare' that started in the 1940s and continued through
to the 1960s. However, the film centres around Dalton Trumbo, a famous
Hollywood writer and an unelected spokesperson for those on the
blacklist. Trumbo was an open supporter of communism and was one of
Hollywood's most prolific writers but when the House Committee on Un-American
Activities drew their attentions to the film studios, Trumbo and many others
like him were thrown out of the business and many of them into
jail. The film pretty much sticks to the facts through the lives of the Trumbo
family. Certain pieces of history are of course missing but there is
only so much you can fit into a feature length film that
covers approximately four decades. It sticks to the point, is
sometimes a little obvious but then biographies often have to be. Some of the
characters, such as Helen Mirren's Hedda Hopper, are a little cartoon-like but
that said, I'm not sure it paints her other than how she really was. David
James Elliott plays quite a convincing John Wayne, the script cleverly sends
the actor up somewhat but everything he says in the film he said in real life,
he's seen as an American hero but the truth is he was somewhat of a fraud
(beautifully pointed out when mentioned that the 'communists' all proudly
fought in the second world war when Wayne didn't). There
is absolutely nothing wrong with being a conscientious objector
unless of course you act like a war hero when you cleverly are not. This is
what the film is really about. The injustice and hypocrisy of
governments, media and how easily led society can be. This sort of thing will
always be relevant. Indeed, I've seen negative reviews for this film based
on its politics and misunderstanding. People have suggested that it
defends international communism. Those who have taken
over the late Roger Ebert's column state that “it invites us to
see the Communist Party USA as just another political party rather than as the
domestic instrument of a hostile and ultra-murderous foreign tyranny".
They're not the first people to mistake communism for a totalitarianism
dictatorship and maybe they don't realise
that the House Committee on Un-American Activities supported the Ku Klux
Klan, because, as John E. Rankin put it; "After all, the KKK is an old American
institution." Truth is, the CPUSA apposed fascism and turned
on Hitler and Nazis way before the American government did.
They campaigned for equal rights for Black workers and
solders during the war, were at the forefront of the civil rights movement and
were working for gay rights way before it was in the media. I
digress. There is this weird belief it seems
that in order to protect freedom you also have to squash it. Anyway, I
don't want to get political, the fact is that these people
were victimized and punished and had the constitution used
against them when the constitution should have protected them,
especially as they had done no wrong. Fear, paranoia, ignorance and
manipulation, still going strong all these years later. Trumbo
lived through it on the wrong side of the government but fought back the best
way he could by doing everything he was told he couldn't. Like I said, an
important issue but the use of comedy and somewhat simplistic techniques
doesn't trivialize the story. It's safe to say that Bryan Cranston's
performance is where the real strength of the film lies. He is
utterly memorizing in the lead role, is always believable and he
carries the film effortlessly. I have to admit, I'm also impressed by Jay
Roach's direction. He's far from being the director I would have thought was
best for the job but he has made a brilliant film. The supporting cast are all
fantastic, the reconstructions of some of the old Hollywood classics are very
cleverly made and the script is outstanding. It's not just a political film
though, it is a Hollywood film and it has the right mood to match. It has
everything you'd want from a movie, a hero, a villain, romance, comedy, drama,
it's so clever but it seems to have gone over the heads of many who can only
see it as something bad, trained as they are to reject anything that contains
certain keywords. Loved and hated in equal measure, a sure-fire
future classic for sure.
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