Jurassic Park III
Dir: Joe Johnston
2001
***
Jurassic Park, the first film of the franchise, is cinematic gold and The Lost World, it's sequel, was the first time I experienced bitter resentment at the cinema. By 2001 I had got over The Lost World (just) and treated Jurassic Park III as it was just another film, a b-movie at best albeit with one of the integral characters from the first film returning (Dr. Alan Grant, played by Sam Neil). It is a b-movie, a very good b-movie at that. The story is based around another annoying child but I suppose that was to be expected, the new cast of personal favorites including William H. Macy, Tea Leoni, Alessandro Nivola, the late, great Michael Jeter and a pleasing cameo from Laura Dern, did make up for it. It also featured the Spinosaurus who makes the T-Rex look like a teddy bear and Pterodactyls, a favorite dinosaur for me as a child and one of the scarier, I would argue. It also features a talking dinosaur. Now it is the inclusion of the talking dinosaur (in a dream Dr. Grant has on the plane) that has been the source of most people's disapproval. Personally I think it is the best thing in the film. You see, none of Jurassic Park III is real, it is all the existential dream of a middle-aged man with life regrets and post traumatic stress. Personally I'd have liked it if they had gone full 'Naked Lunch' on the film and had all the characters played by Dinosaurs but I would guess I'd be in the minority, I can only thank Alexander Payne, who I would imagine was behind the said scene, for fighting its corner and ensuring its inclusion. Honestly, it's a dream, watch it as such and you'll enjoy it far more than if you take it seriously.
Showing posts with label Joe Johnston. Show all posts
Showing posts with label Joe Johnston. Show all posts
Friday, 12 June 2015
Tuesday, 29 April 2014
Captain America: The First Avenger
Dir: Joe Johnston
2011
***
I'll be honest with you, I've always been more of a DC nerd but I have to say, I, like the rest of the world, really enjoyed the build up to the first Avengers film and the continuing exploits of the franchise. The Incredible Hulk was pretty good, Iron Man was something else and really did launch the franchise. Thor was always going to be a tricky one to bring into the world but they managed quite brilliantly and now we have Captain America and it is....fine. Not great, but still pretty good. They have kept pretty faithful to the origins, as they should, but that can often be a curse to the modern Superhero movie and is something film makers often get wrong. This isn't the case here, i'm not sure they could have done a better job, it's just that we know the story already. The cast were impressive, Chris Evans is perfect for the role (and makes sure that his Fantastic 4 franchise is over as a bonus), Hayley Atwell is a fantastic Peggy Carter, Sebastian Stan a surprising Bucky and Hugo Weaving show why he has become the go-to guy when you want a colourful villain (although he apparently hated ever minute of it). Tommy Lee Jones adds a certain something in his role as Colonel Chester Phillips, Dominic Cooper makes a fine young Howard Stark, Stanley Tucci and Toby Jones play a couple of brilliant supporting character and the appearance of Samuel L. Jackson's Nick Fury ties the film up quite nicely. It's an all round does-exactly-what-it-says-on-the-tin action/adventure/superhero film; innocent fun and entertaining enough but a little bit 'colour by numbers'. It will never match the Bale/Nolan Batman films or the old Christopher Reeve Superman films but then nothing ever will in my mind. It goes without saying that it knocks the socks of the 70's version and the one from 1990 that we just don't talk about.
Dir: Joe Johnston
2011
***
I'll be honest with you, I've always been more of a DC nerd but I have to say, I, like the rest of the world, really enjoyed the build up to the first Avengers film and the continuing exploits of the franchise. The Incredible Hulk was pretty good, Iron Man was something else and really did launch the franchise. Thor was always going to be a tricky one to bring into the world but they managed quite brilliantly and now we have Captain America and it is....fine. Not great, but still pretty good. They have kept pretty faithful to the origins, as they should, but that can often be a curse to the modern Superhero movie and is something film makers often get wrong. This isn't the case here, i'm not sure they could have done a better job, it's just that we know the story already. The cast were impressive, Chris Evans is perfect for the role (and makes sure that his Fantastic 4 franchise is over as a bonus), Hayley Atwell is a fantastic Peggy Carter, Sebastian Stan a surprising Bucky and Hugo Weaving show why he has become the go-to guy when you want a colourful villain (although he apparently hated ever minute of it). Tommy Lee Jones adds a certain something in his role as Colonel Chester Phillips, Dominic Cooper makes a fine young Howard Stark, Stanley Tucci and Toby Jones play a couple of brilliant supporting character and the appearance of Samuel L. Jackson's Nick Fury ties the film up quite nicely. It's an all round does-exactly-what-it-says-on-the-tin action/adventure/superhero film; innocent fun and entertaining enough but a little bit 'colour by numbers'. It will never match the Bale/Nolan Batman films or the old Christopher Reeve Superman films but then nothing ever will in my mind. It goes without saying that it knocks the socks of the 70's version and the one from 1990 that we just don't talk about.
Tuesday, 8 April 2014
The Rocketeer
Dir: Joe Johnston
1991
***
The Rocketeer fits into that early 90's 'They obviously spent a lot of money on it but not quite enough' category. That said, it's got a lot going for it and the parts that have aged haven't aged that badly. There are lots of plot holes, nonsensical happenings and things that just don't add up but nothing that can't be forgiven for being silly fun. The one big thing I would change if I could would be swapping Bill Campbell for Bruce Campbell. That would have been very cool and at least worth another star.
Dir: Joe Johnston
1991
***
The Rocketeer fits into that early 90's 'They obviously spent a lot of money on it but not quite enough' category. That said, it's got a lot going for it and the parts that have aged haven't aged that badly. There are lots of plot holes, nonsensical happenings and things that just don't add up but nothing that can't be forgiven for being silly fun. The one big thing I would change if I could would be swapping Bill Campbell for Bruce Campbell. That would have been very cool and at least worth another star.
Monday, 31 March 2014
Jumanji
Dir: Joe Johnston
1995
***
I was in
my late teens when Jumanji came out, so while I think I was probably too old
for it at the time, I was probably in the intended catchment age group. I had
very little interest in it however, due to various different reasons and I only
caught up with it some years later. I had never read Chris Van Allsburg’s
children’s book either and after reading it to my nephew and niece quite
recently, I find the 1995 movie even less appealing. Before watching it I
thought it looked like a film that tried to hard to immolate the effects seen
in Jurassic Park that was released two years earlier. After watching it I
thought the same and also thought it tried far too hard to be a
Steven Spielberg movie. In all honesty, I felt it to be a poor
man’s Spielberg movie. I’m puzzled as to why it is now considered a
classic among adults in their late twenties and early thirties. That all said,
I certainly didn’t hate the film, far from it. It’s all good fun and the great
Robin Williams made it sparkle. Jonathan Hyde, Bonnie Hunt and Bebe Neuwirth played great
supporting characters and the young Kirsten Dunst and Bradley
Pierce were far less annoying than most child actors of the time. The film begins in
1869, near Brantford, New Hampshire, where we see two brothers
bury a chest and hope that no one will ever find it. This will no doubt be
returned to in one of the sequels – mark my words. A whole century
later in 1969, a young Alan Parrish escapes a gang of bullies led by Billy
Jessup and retreats to a shoe factory owned by his father, Sam. He meets Carl
Bentley, an employee, who reveals a new shoe prototype he made by himself. Alan
misplaces the shoe and damages a machine, but Carl takes responsibility and
loses his job. After being attacked by Jessup's group, who also steal his
bicycle, Alan follows the sound of tribal drumbeats to a construction site. He
finds the chest containing a board game called
"Jumanji" and brings it home. At home, after an argument with his
father about attending a boarding school,
Alan plans to run away. Sarah Whittle, his friend, arrives to return his
bicycle, and Alan shows her Jumanji and invites her to play. With each roll of
the dice, the game piece moves by itself and a cryptic message describing the
roll's outcome appears in the crystal ball at
the center of the board. Sarah reads the first message on the board and hears
an eerie sound. Alan then unintentionally rolls the dice after being startled
by the chiming clock; a message tells him to wait in a jungle until someone
rolls a 5 or 8. Alan is sucked into the game, and a colony of bats chases Sarah out of the mansion. Fast-forward a
further twenty-six years later to 1995, and we find siblings Judy and Peter
Shepherd move into the vacant Parrish mansion with their aunt Nora, after their
parents die in an accident on a ski trip in Canada, the winter before. Soon
after, Judy and Peter find Jumanji in the attic and begin playing it. Their
rolls release a swarm of big mosquitoes and
a troop of monkeys. The game rules
state that everything will be restored when the game ends, so they continue
playing. Peter's next roll releases a lion and
an adult Alan. As Alan makes his way out, he meets Carl, who is now working as
a police officer. Alan, Judy and Peter go to the now closed shoe factory, where
a derelict tells Alan that after his disappearance, his father abandoned the
business and searched for Alan, until his death just four years earlier.
Realizing they need Sarah to finish the game, the three locate her, now
suffering post-traumatic stress disorder after Alan's disappearance, and they persuade her
to join them. Sarah's roll releases fast-growing carnivorous plants, and Alan's next roll releases a big-game
hunter called Van Pelt. Judy's next roll
releases a stampede of various animals, and a pelican steals the game. Peter retrieves it, but Alan is
arrested by Carl. Later, Van Pelt catches up to Alan's friends and steals the
game. Peter, Sarah, and Judy follow Van Pelt to a department store, where they fight him, retrieve the game, and reunite
with Alan. When the four return to the mansion, it is now completely overrun by
jungle wildlife. They release numerous calamities, until Van Pelt arrives. When
Alan drops the dice, he wins the game, causing everything that had happened as
a result of the game to be reversed. Alan and Sarah return to 1969 as children,
but have full memories of the future events. Alan reconciles with his father
and admits that he was responsible for the shoe that damaged the factory's
machine. Carl is rehired, and Sam tells his son that he does not have to attend
boarding school. Alan and Sarah throw Jumanji into a river and then share a
kiss. Twenty-six years later, Alan and Sarah are married and expecting their
first child. Alan runs the factory after his parents retired (but are still
alive). He and Sarah reunite with Judy and Peter (who have no memories of the
game), and meet their parents Jim and Martha during a Christmas party. The
Parrishes offer Jim a job and convinces the Shepherds to cancel their upcoming
ski trip, averting their deaths, before they strike up a friendship with them.
It’s far from the original children’s story – which was sweet and simple but
there is a magic about the new ending. Just before the end credits we see two
French girls on a beach. They both begin to hear drumbeats as Jumanji lies
partially buried in the sand. The girls were ignored in
the sequel but I’m sure it won’t be the last we’ll see of them, such
is the Hollywood franchise machine. Like I said, I really liked the original
book and there is far too much sugar-coating to the 95 film – but – it’s a
little too fluffy to resist. It’s not a classic but there is a bit of magic
about it. Kids today probably don’t see the magic in 1980s films that I see –
it’s a nostalgia thing. I like Jumanji but it evokes nothing
for me in terms of nostalgia or fond memories, only that I miss Robin
Williams.
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