Showing posts with label Steve Miner. Show all posts
Showing posts with label Steve Miner. Show all posts

Friday, 26 October 2018

Halloween H20: 20 Years Later
Dir: Steve Miner
1998
**
Dimension Films (Miramax) spent a lot of money on the Halloween rights but they made an awful film in their first attempt (Halloween: The Curse of Michael Myers). They weren’t going to make the same mistake again, and while I’m generally dead against re-makes and re-boots, there really was only one direction to go with the series and that was to start again – or at least, start just after the beginning. Again, I hate it when studios do this but they had no choice, Kevin Williamson wrote a script that continued the story of the last film, Robert Zapia and Matt Greenberg were then brought in to develop his idea further, and the end result was that we fans were asked to completely forget that Halloween III, Halloween 4: The Return of Michael Myers, Halloween 5: The Revenge of Michael Myers and Halloween: The Curse of Michael Myers ever happened. Done. I’m totally fine with that, although I feel bad for Donald Pleasence and Danielle Harris, both of whom were great in those not so great films. Pleasence was sadly dead before H20, otherwise I’m sure he would have featured and Rob Zombie did cast Harris in his 2007 remake – one of the few things I liked about his adaptation. The big news here however was that Jamie Lee Curtis was back. To director Steve Miner’s credit, our of respect for all of the previous script-writers he connected some story elements to the new film. This installment retained Laurie's faked death from Williamson's treatment, revealing that she did so in order to avoid detection by her relentless brother. Under a new identity, Laurie has fled to Summer Glen, California, along with her only son, John. However, to focus more on the Laurie Strode character, the events of parts 4, 5, and 6 are written out of the continuity, thus erasing the Jamie Lloyd (Laurie’s daughter) character from the canon. The film added hip young actors who would all go on to become a-list stars including Michelle Williams, Josh Hartnett and Joseph Gordon-Levitt, as well as popular rap artist LL Cool J. However, one of the brightest ideas was to cast Jamie Lee Curtis’s mother Janet Leigh, as not only was it great to see a famous mother and daughter relationship on screen but Leigh was the original Scream Queen from Alfred Hitchcock’s Pshyco. On October 29, 1998, Dr. Sam Loomis' former colleague Marion Chambers returns home to Langdon, Illinois, to find that her house had been burglarized. Her teenage neighbor Jimmy and his friend Tony call the police. Marion discovers that the file on Laurie Strode, Michael Myers' sister, is missing. She immediately rushes back over to Jimmy's house, where she finds him and Tony dead. Michael Myers suddenly appears and attacks Marion before slitting her throat, killing her. The police arrive just as Michael leaves the house with Laurie's file. Two investigators discuss what they know about Loomis' life. Having survived the explosion at Haddonfield Memorial Hospital in 1978, Loomis was under Marion's care at this house before dying, presumably from natural causes. However, even after nearly 20 years, Loomis refused to believe that Michael was dead, and devoted the rest of his life to studying all information about his former patient. The two investigators then enter his private study, completely untouched by Michael's burglary, and find that the walls are covered with photographs, sketches, and newspaper articles about Michael; from the murder of his sister Judith, to the stealing of her tombstone, to the murders in 1978, as well as articles on Laurie Strode, including her supposed death in an automobile accident. Meanwhile, in California, Laurie is living a seemingly perfect life with her teen son John and his girlfriend Molly, and has a career as the headmistress of Hillcrest Academy, a private boarding school where John attends. However, Laurie is far from happy, as the tragic events from 1978 still haunt her and lives in fear that her brother may return. Laurie has tried to get her life together with the hope that Michael would never come after her again. She ultimately faked her death in a car accident, and then relocated to California under an assumed name, Keri Tate. While a woman and her daughter are at a rest stop, the two narrowly avoid Michael, who steals the woman's car. At the academy campus, the students leave for an overnight field trip at the Yosemite National Park. Later that evening, John and his girlfriend Molly are having a Halloween party in the basement with their friends, Charlie and his girlfriend Sarah. Charlie goes off into the kitchen and is killed by Michael. Sarah finds Charlie's body and tries to escape via the dumbwaiter, but Michael savagely disfigures her leg before stabbing her to death. John and Molly go searching for their friends and are pursued by Michael through the school grounds. Laurie saves them as Michael corners them. Eventually he and Laurie come face-to-face for the first time in two decades. Laurie manages to get John and Molly to safety, before heading back to face Michael herself. She decides to return to the school to face Michael once and for all. Laurie succeeds in stopping Michael, but is not satisfied until she knows that he is truly dead. After Michael is loaded into an ambulance, Laurie steals the ambulance with his body. Michael re-animates and attacks Laurie, who swerves and the ambulance drives off the road. Michael tumbles out and is pinned between the ambulance and a fencepost. He reaches out to Laurie, wordlessly pleading for help, and Laurie approaches him warily. She seems to consider helping him, but looks into his eyes and abruptly reconsiders, and decapitates Michael with a fire axe, killing him instantly. John Carpenter was originally in the running to be the director for this particular follow-up since Curtis wanted to reunite the cast and for the crew of the original to have active involvement in it. It was believed that Carpenter opted out because he wanted no active part in the sequel; however, this is not the case. Carpenter agreed to direct the film, but demanded a three-picture deal with Dimension Films. Carpenter’s bargain was denied by the Weinsteins, and therefore no deal took place. A truly stupid decision. It was great to see Jamie Lee Curtis back as Laurie Strode and the scenes where she comes face to face with Michael are electric, unfortunately there isn’t much else to say for the rest of the film. I’ve never thought a school was ever a particularly scary place, it might be for boarders but it certainly doesn’t do it for me. I did like the supporting characters but the film was caught up in a spate of samey horror films out at the same time and they all seemed to follow a similar – and quite dull – formula. It was all hype and no substance. It’s not a terrible film, it’s certainly better than some of the other sequels, but it is largely uninteresting and a bit forgettable really. Great ending though.

Friday, 13 November 2015

Friday the 13th Part III
Dir: Steve Miner
1982
****
Friday the 13th Part III is a sequel that I think no one really expected or was too bothered about. The first Friday the 13th film didn't make much of an impact at the box office but it's sequel, that wasn't nearly as good, did much better and so the cult of the trashy horror it seemed was back and the kids couldn't get enough. A franchise was born. Friday the 13th Part III or Friday the 13th 3D, featured some of the most appalling performances of the franchise, has an incredibly rubbish story and makes no sense what so ever, particularly towards the conclusion. It's also rather brilliant and easily the best film in the series.  This is what 3D cinema was invented for. If I had a time machine, going back to 1982 and watching Friday the 13th Part III in the cinema would be one of the first things I would do. In some respects, and if you're in the right frame of mind (drunk), watching it in 2D is even better. While you can only imagine how wonderful it would have been to watch the scene whereby one of the campers gets his head squashed by Jason, causing his eyeball to pop out, in glorious 3D would have been, there is also something quite captivating about watching someone spin a yo-yo at the screen, continuously, for literally five minutes. The scene whereby a baseball bat is wobbled at the screen for over 60 seconds is completely bizarre when watching it now but you can imagine the roar it would have caused in the teen-packed cinemas of 1982 and how much fun it would have been to have been there. It's full of exaggerated cliches and every death scene is followed by a hilarious 80's disco song, it's awful and I love it.
Friday the 13th Part II
Dir: Steve Miner
1981
**
Friday the 13th Part II is a direct sequel to the first and although it is essentially a completely different film, it is also exactly the same, minus a really good twist. This is the first time we start to see the Jason Voorhees everyone recognizes although he hasn't yet adopted the famous hockey mask he's known for. It's got it's moments and the fact that the more annoying characters get the better, more gory deaths was appreciated but it never really builds on what was started in the first film. The producers said at the time that this story wasn't so much of a direct sequel, instead, it built on the superstition created in the first film. In this sense, it's actually a remake of the first, much like Evil Dead II touches on events of the first film and then takes it in a different direction. Friday the 13th Part II however, leaves the situation exactly where it began. It's a slasher still and the murderer is someone different but it's no whodunnit and the killings aren't as exciting as the first and Jason's appearances are far too predictable to make you jump out of your seat. The scenes involving severed heads is quality horror but everything else is a little bland and underwhelming.

Tuesday, 25 August 2015

Lake Placid
Dir: Steve Miner
1999
**
Comedy horror is a mix genre that is often very hard to get right. Many 'Monster' horrors are unintentionally funny and are generally so because they are so bad. Lake Placid has moments of humour but doesn't go all out to be funny so I do wonder if the label 'Comedy-Horror' is somewhat serendipitous. It's not particularly horrific either, suggesting that the main intention was for it to become the next Jaws but more in the style of Arachnophobia. It's clear that Bill Pullman, Bridget Fonda, Oliver Platt and Brendan Gleeson know exactly what it is, none take it seriously and no one really gives the performance they're capable of but only because it's never really called for. Much of the film is lazy, it relies mainly on being dumb and fun, which is exactly what it is. The giant Crocodile was a bit of a let down when it did finally appear, CGI wasn't as great as all that in 1999 but it wasn't terrible. The bit I really hated was when the lovely Betty White was made to deliver a particularly foul-mouthed line for no other reason it seems than because old people swearing is funny. A cheap and nasty idea that I disagree with. Indeed, the script is fairly rubbish, Gleeson's lines are suitably delivered with what I believe is knowing disregard that really works for his character but everything else is cheap and cheerful. It's not a film anyone watches twice but 1999 was a slow year, it was passable at the time.