Red
Christmas
Dir: Craig Anderson
2016
**
While
there is of course such a thing as a good horror movie and a bad horror movie,
it generally isn’t as clear cut as all that. Red Christmas, you probably won’t
be surprised to hear, is no masterpiece. However, it succeeds where most ‘bad’
horror films fails several times over. There is nothing wrong with the
direction, editing, cinematography and gore fans are
certainly catered for. The acting is mostly good, with the wonderful
Dee Wallace taking the lead role. The idea itself is rather good, it is just
let down somewhat by the writing. The film begins some twenty years ago at an
abortion clinic. A man walks in, shouts something vaguely religious
and lets of a bomb, killing most people inside. Fast forward to the present day
and we join a family as they gather together for Christmas.
It is set in Australia but it is clearly meant to be cold outside, which is an
obvious mistake as Oz enjoys Christmas in the summer but I digress.
Amidst the celebrations, a mysterious, cloaked stranger, "Cletus"
arrives at the home and is taken in. Due to his strange behaviour, he is
eventually forced to leave. It is eventually revealed that 20 years ago, the
matriarch of the family, Diane (Wallace), traveled north to have an
abortion. During the procedure a religious zealot bombed the clinic as seen in
the opening scene. Unbeknownst to Diane, her child, Cletus survived the
procedure and has returned to the family home to exact revenge in the most
violent way possible. The film is an accomplished slasher/home invasion
movie in it’s own right, so I applaud writer/director Craig Anderson for his
originality and his attempt at trying something a little darker and a little
different, but I do find the concept a little questionable. I don’t think
Anderson is trying to make any statements about birth control or being anti or
pro-choice, I just think that this is his version of a Christmas Evil/Basket
Case mash up. Cletus is best when he is not seen. When he is seen he is performed dreadfully by Sam Campbell in what can only be described as an embarrassing
and almost offensive impersonation of Joseph Merrick. It’s not in the best of
tastes but it still manages to be entertaining enough. The rest of the cast are
good in their performances but their characters are mostly too extreme to be
taken seriously. Each character has a trait but each is a little too
much; you have the stoner sister, the brash sister and the sister who became a
vicar as well as their stereotype partners. None of the characters
are convincing in knowing each other, let alone as being family. The script is
awful, just awful, as so many horror film scripts are. Why are horror writers
so inept at writing good dialogue? As expected, each family member is picket
off one by one, it is predictable but following the introductory scenes
it is most welcome. I certainly didn’t predict the order of who would get
killed first, so that was something. The production values are what save the
film as it always looks professional, even when it doesn’t sound as such. It
really isn’t a bad slasher at all and the murder scenes will satisfy a wide
cross-section of horror fans. I think apart from a more sinister villain and a
total dialogue re-write, the only thing that really would have improved the
film was if it felt just a little more like a Christmas film. It might be one
of the few times I will say this but what this low-budget little horror film
needed was a few more clichés. By far the best thing about the film was Gerard Odwyer. The downs syndrome actor
clearly wasn’t just in the film just to make it more inclusive, he is pretty
much the only convincing actor in character and he soon became the unintended
hero of the film. There are many better Christmas horror films out there but
there are also many that are worse.
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