Computer Chess
Dir: Andrew Bujalski
2013
***
Writer and director Andrew
Bujalski has a very distinct and individual sense of humour. His 2013
film comedy is a fake documentary that is set
at a fictional computerized chess convention in the early 1980s, in a
hotel, somewhere in California. Bujalski used very few actors,
choosing instead to cast real life computer nerds (with plenty of computer
knowledge) to play the main characters. The dialogue is mainly improvised,
the actual script being only eight pages long.
It's extremely convincing throughout and at times I had to remind
myself that it wasn't actually real and I kind of wish I hadn't known this
before viewing. I think Bujalski has achieved something quite remarkable with Computer Chess. It has a real sense of freedom
about it that you don't see much of these days and it has a refreshing fluidity
that is hard not to admire. It's almost revolutionary. There have been
very few clever films made about the realization of artificial
intelligence, this is by far the most original I've seen. The subtle
exploration of the connection between spiritual discovery and cybernetic
innovation is staggeringly clever, especially as it really is just a bunch of
nerds talking awkwardly with one another but here lies the
problem. Computer Chess is, mostly, a bunch of nerds talking
awkwardly with one another. There are a few great lines here and there but
it ultimately falls flat and is, at times, dreadfully boring.
Maybe that was the point, and I kind of like that, but it doesn't make it
any easier to watch. At times it seemed like a poor
man's Napoleon Dynamite and a sad imitation of the
brilliant documentary King of Kong (which I would hazard a guess was
the inspiration of the film). That said, the conclusion and last scene blew my
tiny mind and has had me thinking about it ever since. I applaud its
originality, the methods of film making Bujalski has created and I loved the
idea, it’s just that the idea is far more exciting than the finished film. I
haven’t been this torn with a film since Gregg Araki’s 1997 film Nowhere.
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