Leningrad Cowboys
Meet Moses
Dir: Aki Kaurismäki
1994
*****
I absolutely adored Aki Kaurismaki’s 1989 film LeningradCowboys Go America but it was one of the rare films that I would argue didn't
need a sequel. However, I'm so glad he made one. Just as you thought the
Leningrad Cowboy’s story couldn't get any more surreal, it does, and then some.
It could never have the same impact of the first film, so the change in
direction was cleverly though out and I would say it's probably funnier. The
character of Moses, played by the late great Matti Pellonpää, is inspired. Half
the band die of tequila poisoning, Siberia becomes "the Promised
Land" and the Statue of Liberty gets her nose stolen. If that's not great
writing, I don't know what is. After the events of the first film, the band
(now a real band and not just a fictional one), have been enjoying success in
Mexico. Enjoying success a little too much in some cases, as half the bad have
become tequila alcoholics and half of them have died of excessive drinking. The
rest have become fully fledged Mexicans, represented by the fact they have all
grown moustaches and wear Ponchos (but still have their pompadours and
winklepickers of course). Destitute and down on their luck, the band suddenly
receives a telegram requesting their presence at a gig in Coney Island, New
York. Igor, now their road manager, smuggles them across the border and gets
them to New York, where they discover the sender of the telegram is none other
than their ex-manager Vladimir (once again played by the brilliant Matti
Pellonpää). Since Vladimir abandoned the band in Mexico at the end of the last
film, he had gone through the experience of being re-born and now goes by the
name Moses. He explains to them that, for purposes that are to be explained
later, they must travel back to the Promised Land (Siberia). They agree and
they board a boat back to Europe, just after Moses steals the Statue of
Liberty’s nose as a souvenir. Instead of taking the boat, Moses stows away
on the wing of a plane which he promptly falls off mid-flight and lands in the
sea. He is reunited with the band as he is washed up at precisely the same time
and place as their boat is harboured. Meanwhile, a CIA agent has learned of the
missing nose and it hot on Moses’s tail. When the band is met by old friends
from Serbia, they all take a bus to Brest to play the first of a few gigs in
order to make money for travel. The CIA agent soon catches up with them and
poses as a record producer but is soon found out and held prisoner by the band.
They stop at Frankfurt, Leipzig, the Czech Republic, Poland and Russia and find
out their quest has something to do with the birth of a sacred calf but it’s a
ridiculous ruse. Eventually the CIA agent also becomes born again and the bad
live happily ever after in Siberia, where, people have warmed to them since
their departure. There is always a fear that the sequel will tar a memory but
not here. Everything that made the original film great is matched and bettered.
One wonders whether they might have had another film in them, rather than Total
Balalaika Show which is a concert movie. It’s a nonsensical masterpiece with
music, my kind of silly and just about the coolest comedy ever made.
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