The
Giant Claw
Dir: Fred F. Sears
1957
*/*****
Jeff Morrow is great in 1957 sci-fi monster film The Giant Claw. He
plays the archetypal expert/hero who experiences an ‘event’, is integral to the
study of such ‘event’ and is responsible for saving the day
and eradicating the cause of said ‘event’. The ‘event’ in this
particular scenario involves a ferocious hawk-like creature of
giant proportions. Morrow plays a civil aeronautical engineer who, while
on a routine radar test flight near the North Pole, spots an unidentified
flying object fly overhead ‘the size of a battleship’. He reports it and three
jet fighters scramble to pursue and identify the object but only two of the
jets return. He is then accused of wasting time and resources and is indirectly
blamed for the lost pilot, thanks to his ‘hoax’. Then for about half an hour of
the film he tries to defend himself while every other character mocks his ‘the
size of a battleship claim’. Unfortunately, all this does is mock the
film’s own script, which is excruciatingly bad, but delivered with
class. Soon enough more people fall foul of the giant…fowl, and Morrow’s Mitch
MacAfee is believed. He isn’t a giant bird expert, knows nothing about
antimatter (the only logical explanation) and has no experience of aviation
battle but somehow it’s down to him to save the day. He’s believable; as is as mathematician
Sally Caldwell, Edgar Barrier as physics and astronomical wiz Dr. Noymann,
Morris Ankrum as General Considine and Robert Shayne as General Van Buskirk.
The plot is as silly as these big monster films typically were but it was all
done relatively well for its time and with what technology was available in
1957. The stuff about the giant bird coming from outta space and being
protected from antimatter is all silly fun, indeed, these old b-movies would be
worse if they didn’t play around with nonsensical sci-fi nonsense. Everyone is
on fine form, it was probably never going to be the best b-movie/sci-fi/monster
movie but all those involved were positive. Morrow said years later that
neither he, nor anyone else working on the shoot had actually seen the monster
until the film’s premiere. They were told it was state of the art stuff that
would be created post-production, and if the poster was anything to go by the
audience were in for a real spectacle. The truth is producer Sam Katzman had
originally asked the great Ray Harryhausen to produce the creature with his
legendary stop-motion animation techniques but budget constraints put stop to
that idea rather quickly. Without too much debate, he hired a low-budget
special effects studio in Mexico who made the flying monster into a poorly
crafted marionette on wires. The finished film was a laughing stock
and every time the ‘Giant Claw’ appeared on screen the audience would
erupt in laughter. Morrow admitted that he was
so embarrassed that he slipped out of the premiere and went straight
home and started drinking heavily, worried that someone might recognise him.
The rest is history. The monster does spoil the good work of the rest of the
film but to be honest, the film is now legendary because of the terrible but
brilliant special effects. Watching the Giant Claw picking off a group
of parachuting passengers one by one is one of the greatest scenes in
the history of cinema. It’s awful but awfully good at the same time. I’m not
sure any b-movie was as bad/brilliant until Shark Attack 3 came along many
decades later. I think it is hilarious that no one, not even the poster
designers, were shown the creature before the film was released. It could never
happen nowadays, so there is something extremely charming about the whole mess.
I honestly don’t think I would have enjoyed it as much had the effects actually
been of the industry standard at the time and I don’t think The Giant Claw
would have reached the legendary status that it now holds either, I mean, the
film double billed with The Night the World Exploded which had better effects
and who remembers that?
No comments:
Post a Comment