Ivan the Terrible, Part I
Dir: Sergei M. Eisenstein
1944
*****
Ivan the Terrible is a two-part historical epic about Ivan IV of Russia that was
commissioned by Joseph Stalin, who admired and identified himself with Ivan, to be written and
directed by the filmmaker Sergei Eisenstein. Part I was released in 1944 and
begins with Ivan's coronation as Tsar of all the Russias, amid
protest from the boyars. Ivan makes a great speech proclaiming his intent to unite and protect
Russia against the foreign armies outside her borders and the enemies within -
a reference to the boyars, who are already seen as discontented with his
coronation. Shortly after, Ivan marries Anastasia Romanovna. This causes him
to lose the friendship of his two best friends, Prince Andrei Kurbsky and Fyodor Kolychev. The latter
receives Ivan's permission to retire to a monastery, while Kurbsky attempts to
resume his romance with the Tsarina, who repels his advances. The marriage
feast is interrupted by news of the burning of several boyar palaces, carried
into the Tsar's palace by a mob of the common people who also complain that the
Tsar is being led astray by the Tsarina's family (the Romanovs), the Glinskys and the Zakharins. Ivan calms the
crowd, but is interrupted by envoys from the khanate of Kazan, who send him a
ceremonial knife with the suggestion that he do himself a favor by using it to
commit suicide. Ivan immediately proclaims that his kingdom is at war with
Kazan. The siege of Kazan, in which Ivan's army digs saps underneath the city
and fills them with gunpowder, is an epic piece of cinema, certainly one
of Eisenstein’s finest. Kurbsky, nominally in command, is reprimanded by
Ivan for senseless brutality (he ties Tartar prisoners to palisades within
earshot of the walls of Kazan and tells them to shout to the city to surrender;
the defending archers immediately shoot the prisoners). The city of Kazan soon
falls to the Russian army. During his return from Kazan, Ivan falls seriously
ill and is thought to be on his deathbed; Orthodox priests come to give him
the last rites before he dies. Ivan sends for his relatives and orders them to
swear allegiance to his son, the infant Dmitri, reminding them of the need for
a single ruler to keep Russia united. They demur, with Ivan's aunt, Efrosinia
Staritska, openly urging the others to swear allegiance to her son, Vladimir, instead.
Emotionally overwrought, Ivan collapses and is thought dead. The relatives,
celebrating, all begin to swear allegiance to Vladimir, the "boyar
tsar" they have hoped for; meanwhile, Kurbsky is uncertain of his own
loyalty, trying to decide between the two sides. However, when the Tsarina
says, "Do not bury a man before he is dead," Kurbsky realizes that
Ivan is still alive, and hurriedly swears his allegiance to Ivan's infant son,
Dmitri. He is sent, as a reward, to the western border of the kingdom to defend
against the Livonians and Poles. At the same time, Ivan dispatches Alexei
Basmanov, a commoner he sympathizes with, to the south to take care of the
Crimean border. The Tsarina now falls ill, and while Ivan is receiving bad news
from all fronts, the boyars plot to kill her. Efrosinia comes into the palace
with a cup of wine hidden in her robes, in which she has put poison. Just as
the royal couple receive word that Kurbsky has defected to the Livonians,
Efrosinia slips the cup of wine into the room and listens from behind a wall.
The Tsarina has a convulsion and Ivan, looking around for a drink to calm her,
takes the poisoned wine and gives it to her. We then see the dead Tsarina lying
in state in the cathedral, with Ivan mourning beside her bier. While a monk
reads biblical verses over the body, Ivan questions his own justifications and
ability to rule, wondering if his wife's death is God's punishment on him.
However, he recovers and sends for Kolychev. At this point, Alexei Basmanov
arrives, suggesting that Ivan surround himself with men he can trust -
"iron men," the Oprichnina - and offers his unexpectant
son, Fyodor, for service. Ivan accepts, and sets about recouping his losses. He
abdicates and leaves Moscow, waiting until the people beg him to return, saying
that he now rules with absolute power by the will of the people. A rousing
finish that sets up part II of the story perfectly. Eisenstein was one of many
Moscow-based filmmakers who were evacuated to Alma Ata, in the Kazakh SSR during World War II. There, Eisenstein
first considered the idea of making a film about Tsar Ivan IV, aka Ivan the
Terrible, whom Stalin admired as the same kind of brilliant, decisive, successful leader
that Stalin considered himself to be. Aware of
Eisenstein's interest in a project about Ivan, Stalin ordered the making of the
film with Eisenstein as author-director. It was filmed between 1942 and 1944,
and released at the end of that year. The film presented Ivan as a national
hero, and won Joseph Stalin's approval and gained Eisenstein a Stalin Prize. The story show
Ivan more as monarch than man, detailing his struggles to unite Russia and his
difficulties in overcoming the traditional, boyar-run government. While not
exactly sympathetic, Ivan is shown as having to fight fire with fire - having to
be ruthless and brutal for the good of the country. In some ways, he is a
victim of the boyars, especially during flashbacks to his childhood and early
adolescence. The film also details Ivan's gradual slide into suspicion and
paranoia. He is played superbly by Nikolay Cherkasov although Serafima Birman steals most
of the film as Ivan's aunt Efrosinia, the real villain of the story who is
willing to do anything to get her son Vladimir on the throne.
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