Wednesday, 16 May 2018

Deadpool 2
Dir: David Leitch
2018
****
There was much talk following 2016’s Deadpool about how they should approach a sequel. Deadpool 2 was actually green-lit a couple of days before the first film was released but months later director/producer/co-writer Tim Miller left the film stating creative differences. Many speculated that it was Ryan Reynolds that was the problem, with the actor given more say and creative control, but the media and fanboys do need to calm down a bit, film makers can disagree and still remain on good terms. I dare say Miller left for his own integrity and it is often best for the project and everyone involved when someone who disagrees with the direction of story steps aside. It’s sometimes knowing when to leave that makes a good film maker. Miller later stated that he didn’t want the film to get bigger as is the case with most superhero sequels and that he wanted the follow up to retain the same DNA as the first. Fine. It’s a little odd though, because while Deadpool 2 may have more elements to it, its very much the same Deadpool from the first film and still true to the comic book origins. There was worry that the introduction of X-Force would overshadow the film’s main character but this isn’t at all the case, in fact, this worry is immediately addressed in full on Deadpool fashion. No one like a an actor who gets too big for their boots either but Ryan Reynolds/Deadpool are a different kettle of fish, it’s the perfect marriage, and when you hear that Miller left in the end because he wanted Kyle Chandler to play Cable while Reynolds’ overruled him to chose Josh Brolin, then I can’t help but side with Reynolds. I didn’t think much of Atomic Blonde but new director David Leitch has proven his worth as a 2nd unit director and as the uncredited director of the great John Wick. He does a great job with Deadpool 2, capturing many of the action scenes in the same vein as the comics while adding an extra level of comedy action. The film didn’t come without its problems, after Tim Miller left, actor T.J. Miller received Sexual misconduct allegations and seem to go off the rails somewhat and was later arrested for calling police with a false bomb threat. There were calls for him to be removed from the film but editing had already begun and re-shoots would have been impossible. The biggest tragedy was the death of stunt-women Joi Harris who died as a result of a motorcycle crash. Harris was not wearing a helmet because the character she was portraying, Domino, does not wear one in the scene, and there had not been time since she joined the film to create one for her to fit underneath the Domino wig. Veteran stunt double Melissa Stubbs had been available and willing to do the stunt, but the inexperienced Harris was preferred due to her skin color being a match for actor Zazie Beetz. This decision was criticized by multiple stunt professionals, with many noting that Harris' experiences racing motorcycles did not necessarily qualify her as an able stunt performer. This is unforgivable and everyone involved should be duly punished. It’s just a film, no one should die making it and for this reason I wouldn’t be upset if the film failed. It won’t because it is great and it wouldn’t be fair on those that had nothing to do with the accident but it doesn’t sit well. However, I will continue with the review of the film. It is not a carbon copy of the first. The plot is completely different and now that the character is established, the writers have come up with a clever and exciting scenario that is original and gives fans old and new, exactly what they want as well as a few treats they didn’t even know they wanted. Deadpool's abilities are explored to great creative effect and the pop culture references keep coming thick and fast. His digs at both Marvel, Sony and DC are direct and on point, although this time Sony do good by him and gives the audience some unexpected pleasures. The forth wall is broken many times, indeed, the forth wall is broken within the forth wall, without it ever seeming as complicated as it sounds. The introduction of X-Force could have been awful but the way they handled it was superb and incredibly funny. Brolin was the perfect Cable and Zazie Beetz’s version of Domino is far more interesting and likable than the Domino of the comics. Negasonic Teenage Warhead and Colossus return from the first film and I still can’t get over how close Brianna Hildebrand looks to the Negasonic Teenage Warhead of the comics. They are joined by other established characters such as Bedlam, Shatterstar, Zeitgeist and Vanisher, who are all shown up for the floored characters they are. Juggernaut was a particularly impressive addition to the line up but I’m shocked there were no Vinnie Jones references. A new comer to the team was Peter, a normal guy who just wants to get involved. Peter steals the show somewhat in a way that no one else could other than in a Deadpool film. It was great to see Julian Dennison again following Hunt for the Wilder People as Russell "Hot Stuff" Collins, aka Firefist. His characters addition to the story made a lot of sense and I’m glad it wasn’t all just about revenge. I wasn’t too keen on the dream-like elements of the film each time Deadpool nearly dies but I expect them to make fun of this in Deadpool 3. The film is worth seeing for the mid-credit scenes alone to see Deadpool go through time and correct his and Ryan Reynolds mistakes of the past. It is more of the same (what we all want from Deadpool) with a few new ideas thrown in for good measure. The possibilities remain endless for Deadpool and I hope they keep them coming, because as tired as I am of X-Men and as brilliant as the MCU is, it’s good to have Deadpool somewhere in the middle causing trouble.

No comments:

Post a Comment