Showing posts with label Jonathan Levine. Show all posts
Showing posts with label Jonathan Levine. Show all posts

Thursday, 5 November 2020

Long Shot
Dir: Jonathan Levine
2019
***
In many respects Long Shot is a classic run-of-the-mill rom-com, but with some important upgrades that I hope other rom-coms take note of. We’ve seen rom-coms that explore power struggles many times before, in fact perhaps in all of them, as they always seem to follow the Cinderella story, the rich man poor girl scenario, Romeo & Juliet, Lady and the Tramp et cetera et cetera. Long Shot is ever so different in that ‘power’ is treated very differently. Charlize Theron plays the U.S. Secretary of State while Seth Rogan plays an independent and influential underground journalist. Who has the real power is up to the audience. While Theron’s character is smart, dynamic and successful you could see negatives in what she does, Rogan’s character is scruffy, idealistic and a little too quick to act - the pair are opposites in a very different way. Both have the same roots and much in common, and more importantly both have their own flaws. I like that Rogan’s character isn’t a complete idiot and that Theron’s isn’t completely inhuman. We see that the two were childhood friends at one point, Charlotte (Theron) being Fred’s (Rogan) babysitter. Set in the present, U.S. Secretary of State Charlotte Field learns from President Chambers (Bob Odenkirk) that he does not plan on running for a second term. As an ex-actor, he now sees his future in film and boasts that apart from George Clooney, he’ll be the first TV actor to make it in Hollywood. Seeing an opportunity, she convinces him to endorse her as a potential presidential candidate. Meanwhile, New York City journalist Fred Flarsky learns that the newspaper he works for has been bought by Parker Wembley (played by Andy Serkis in a fat old white guy suit), a wealthy media mogul whose ethics directly oppose Fred's. Furious, he promptly quits but cannot find another job. Depressed, he turns to his more successful best friend Lance (O'Shea Jackson Jr.), who takes him to a charity fundraising event that Charlotte is also attending. She and Fred recognize each other from when she was his babysitter. It is evident that he still has a secret crush on her from when they were teenagers. While they catch up, Wembley interrupts them to plan a meeting with Charlotte, leading Fred to condemn Wembley's actions and beliefs before leaving. Upon reading some of Fred's columns, Charlotte decides to hire him to write her speeches over the protests of her manager Maggie. Despite voicing skepticism of her ethics, Fred takes the job. At a world leaders summit, Charlotte is forced to revise a speech involving a planned environmental revision to appease some of her constituents. When Fred objects and calls her out on abandoning her morals, she changes her mind and the speech is a success. As the two continue to spend time together under the pretext of Fred learning more about Charlotte for his writing, they start to get close. Finally, after surviving a revolution in Manila, they begin a relationship together. Upon finding out, Maggie tries to warn both that the public will never accept them as a couple. When Chambers orders Charlotte to remove plans to preserve the trees, as some friends with financial interests of his asked, she lets off steam with Fred by getting high on ecstasy. A hostage crisis occurs soon after and, despite still being high, Charlotte manages to talk the captors down and free the hostage. Even though the incident increases Charlotte's approval rating, Chambers is livid when she chooses to ignore his orders and call him out. He confronts her in his office alongside Wembley, who has a vested interest in removing the trees as part of her plan. The two blackmail her with a hacked video from Fred's webcam. The hacked video depicts Fred discussing his and Charlotte's relationship and Fred further masturbating to a video of one of her speeches, the hacked video culminating in Fred ejaculating in his own beard. Charlotte shows Fred the hacked video and informs him that she has agreed to the ultimatum, and that she wants to introduce him and their relationship publicly once his image is cleaned up. Disappointed and unable to change, he refuses and they break up. Back in New York, Fred talks with Lance, who tells him that he has been too stubborn with his principles and refusal to consider other people's needs and opinions. He also comes out as a Republican to Fred’s dismay. During her announcement to run for president in 2020, Charlotte changes her mind and opts for her original plan, also revealing the blackmail from Wembley and Chambers and describing the content of the video before its release. Fred searches for Charlotte and finds her waiting at his apartment. They admit that they love each other, and meet the press outside where Charlotte introduces Fred as her boyfriend. In 2021, the couple marry and Charlotte is sworn in as the first female president with Fred as "First Mister", him having taken her last name. You kind of know what you’re getting with a Jonathan Levine movie, it has a few misses but most are forgivable. I liked Bob Odenkirk’s President. He isn’t based on any President in particular but I could see a bit of each of the last 7 presidents in him. June Diane Raphael is great in her supporting role as an adviser and Alexander Skarsgård was brilliant as the Prime Minister of Canada. Charlize Theron and Seth Rogan are great together, playing off each other brilliantly, their real-life friendship seeping into their performances in a good way. Andy Serkis’ performance is a bit strange however.Levine, Theron and Rogen, all related that after Andy Serkis accepted the role of Parker Wembley, he then developed a extensive prosthetic makeup design for the character, a makeup regimen that required hours a day to execute, even though nobody asked him to. Rogen remembered, "we offered him the role, and then he was like, 'Okay.' And then he started sending ideas for what he would look like. And we were like, 'What do you mean? I thought he kind of looked a lot like Andy Serkis.' But he was like, 'No, I got this whole thing.' And we were like, 'Whatever, man!'" I guess he can’t help it, Serkis is the motion capture/prosthetic guy. The drug humour was predictable, the potty language a little too full on and the ejaculation scene wasn’t funny. There’s Something About Mary told the same joke over twenty years ago, I’m all for recycling but not with jokes. Apart from that it’s fine. The possibilities for ‘The First Mister’ are huge, maybe they should have played on that more, maybe that’ll be the sequel, who knows, but if you want a light rom-com that isn’t the same as all the others go for this one, as it is ever so slightly better.

Saturday, 24 December 2016

The Night Before
Dir: Jonathan Levine
2015
***
The Night Before stars Seth Rogan, Joseph Gordon-Levitt and Anthony Mackie and is directed by Jonathan Levine, so it is fair to say that if you're familiar with these people's work you will know exactly what to expect. The three friends spend each Christmas Eve together because 'family' and they have gotten up to all sorts of madness over the years. After one becomes famous and one has impending fatherhood, the three decide that this year will be their last. Fame and fatherhood are explored as is a love story and general coming of age. It actually all gets in the way somewhat because the film is really sold as an adventure-fuelled evening where anything can and will happen. As it is, lots of sensible things happen and overall plot (and its various sub-plots) trundle on and on and on. Seth Rogan's character finally takes some drugs about half way through the movie and by the time you question the length of this particular evening, you have also probably given up caring much about the characters and what happens to them. This 'comedy' cries out of something funny to happen for the majority of the run time. It's not without its moments but most of them are predictable, obvious or were shown in the trailer. Seth Rogan on drugs, who would have thought it. There are some nice little moments along the way and some appreciated cameos but overall it is the unquestioned fantasy element of the film that really makes it a success. Michael Shannon plays a drug dealer with insight early on in the movie and nothing more is directed at him. He them pops up again and it soon becomes apparent that his is more than just an unusual cameo. The/his conclusion made the film for me, or at least, made up for all the things I didn't like about the film until that point. It's never unlikable, it just tries to do far too much in one sitting. It needed to be simplified and maybe made just that little bit sillier. There is a great part whereby a drugged up Rogan sits within a Church's nativity scene and talks to Jesus as if he were just a guy on the street. I guess too much of that kind of thing would have only worked for so long but the rest of the film is full of schmaltz and far too much self-analysis. It was if the film was saying 'hey everyone, we're a fun, non-serious Christmas film' and then got all serious because it remembered it had to, as if it were a Christmas film rule or something. To be washed down with plenty of eggnog for complete enjoyment.

Thursday, 19 March 2015

50/50
Dir: Jonathan Levine
2011
****
A Hollywood movie about Cancer that doesn't intentionally pull at the heartstrings to win awards, 50/50 is a very welcome relief. It actually handles the subject matter very well, even though many of us have been effected by cancer, it's still very much a taboo subject - certainly one that is avoided in conversation. I actually work for a cancer charity and I can faithfully say that this is a welcome film. It is an emotional film, very sad at times but the humour is a welcome inclusion that is never in bad taste and is used sparingly. Okay, so it's not sugar-coated but it is slightly sweetened for entertainment purposes but I would argue it is better for it. The actors all do a great job, Seth Rogan being a friend of the guy the story is based on helped in that respect and it shows. Well worth checking out. On another note, Matt Frewer - please bring back Max Headroom!

Friday, 23 May 2014

The Wackness
Dir: Jonathan Levine
2008
****
The Wackness was like pure nostalgia for me. Swap New York for London and I can relate to much of the story and this felt like a proper 90's film, made by someone who is just as fond of the decade as I am. I loved the pace of the film too, you could probably smoke a bit of the green while watching to great effect (I'd imagine). I thought everyone did a great job, I loved Ben Kingsley's performance and I thought Josh Peck was actually quite good. Although it would be nice if he closed his mouth once in a while. Ahh, life was much simpler then!

Friday, 25 April 2014

Warm Bodies
Dir: Jonathan Levine
2013
***
The Zombie genre has been done to death, excuse the pun, so trying to make an original film on the subject these days is pretty difficult. With Warm Bodies, director Jonathan Levine has achieved just that, although he has done so in changing what a Zombie actually is. I'm going to raise my hand here and say 'Cheat'! The rules are clear, you can bend them but you can't break them, this is not a pure Zombie film. Still, I did enjoy it, it wasn't the film I expected from director Jonathan Levine and I don't think it's as good as his previous work but it has its place and was a pleasant alternative. I think I would have preferred a less happy ending but it is what it is.