King Kong vs. Godzilla
Dir: Ishirō Honda
1962
****
One of cinemas greatest battles, between two of
the most famous and infamous of rivals, is one of the funniest things I have
ever seen. Clearly not intentionally funny and I really don't want to make fun
of it because I genuinely adore both the King Kong and the Godzilla films, but
1962's King Kong vs. Godzilla is always good for when you need a good chuckle, the
kind that only the most low-budget of b-movies can deliver. Of course it is the
American version of the film I am reviewing, the Japanese original is still
unavailable and the two versions are quite different. The American version is
strangely narrated by a man behind a desk who at first seems to be a news
reader but later seems to be addressing secret service agents or people of that
nature. It's never clear who he is talking to, or should I say, who the
audience is supposed to be. It's never clear quite why we should see the
satellite that receives and sends the messages between America and Japan and
why it's any of America's business at that early stage. That said, I'm still
not sure how a pharmaceutical company could really benefit from owning a giant
man-eating Gorilla, but that is the story. Certain characters also exist purely
because they do or because they have something that can be of use later in the
film, such as the lead's brother in law, who has really strong wire (that they
use to air-lift Kong later in the film). Very little makes sense and it is
clear that is the case for both versions. It really doesn't matter though, it's
all about the two monsters. I'm not sure how it would have worked, and it
clearly didn't, but King Kong vs. Godzilla was originally going to be King Kong
vs. Frankenstein. I'm guessing it would have been a short film but due to a
misunderstanding of copyright (the production company thought the name
Frankenstein was copyrighted, when in fact it was only his make-up and image
from the original movie that was) they sought another movie villain to fight
and Godzilla made much more sense. They did go back to the idea for the sequel
but again realized that it just wasn't practical, so they had Godzilla fight a
giant moth instead. The studio didn't have enough money to produce stop-motion
animation sequences and decided to use models and men in monster suits instead
and thank goodness they did. Stop-motion is great, don't get me wrong, but the
later monster films with men in suits were something else and quite brilliant.
The little models are fantastic, done on the cheap but full of charm. The
Godzilla franchise continued from here on to much success and King Kong
vs. Godzilla has gone on to become something of a cult success, even though it
enjoyed mainstream success and remains the bestselling Godzilla film to
date. Godzilla clearly wins the battle as far as popularity goes, he was by far the greater monster and old Kong wouldn't be seen again until the late 70s, while Godzilla had a new film out nearly every year since.
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