Sicario: Day of the Soldado
Dir: Stefano Sollima
2018
****
2015’s Sicario took everyone by surprise upon its release but I think
I’m more surprised it got a sequel. Writer Taylor Sheridan suggested
that the original Sicario was the first film of his American Frontier trilogy
(which was followed by Hell or High Water and Wind River), so I don’t think I
ever expected a follow up – even when one was announced just weeks after the
first film was released. When I saw that Denis
Villeneuve would not be returning I was fearful and then when I saw
that Emily Blunt wasn’t returning either I was certain that this would
just be another men-with-guns action movie but I’m pleased to see I was wrong.
I love Denis Villeneuve and Emily Blunt but
Stefano Sollima directed the film beautifully and to be honest, Blunt’s
character told her story in the first film anyway. Taylor Sheridan stated in interviews that he could
not think of a reason to keep Blunt’s character, Agent Macer, in the second
film, and that her character's story had already come full circle in the first
installment. Blunt’s character brought the audience into the story but now that
the world of Sicario is known to us, we no longer need her. Instead, Sheridan
focuses on Benicio del Toro’s Alejandro Gillick, who remained fairly mysterious in
the first film. Only del Toro, Josh Brolin and Jeffrey Donovan return from
the first film but to be honest, Sheridan’s
return is the most important. Sadly, Jóhann Jóhannsson, the composer of
the first film, died in February 2018. The film is dedicated to his memory. His
score to the first film was amazing but Hildur Guðnadóttir composed
the sequel's score due to his experience collaborating
with Jóhannsson on the first film as a cello soloist and he does a
fine job. I did worry about the story at the beginning though and wondered
whether it was a story that was needed as the first few minutes sees a suicide bombing in a Kansas supermarket killing
fifteen people. The United States government responds by authorizing CIA agent Matt
Graver (Brolin) to apply extreme measures to combat Mexican drug cartels, who are suspected
of smuggling the terrorists across the border. Graver and the Department of Defense decide the
best option is to instigate a war between the major cartels, and Graver
recruits black operative Alejandro Gillick (del Toro) for the mission. Gillick assassinates
a high-profile lawyer of the Matamoros cartel in Mexico City while Graver
and his team kidnap Isabel Reyes (Isabela Moner), the daughter of
the kingpin of their rival, in a false flag operation.
Graver, Gillick, and their team take Isabel to Texas and stage a
"rescue" with the DEA and local police to make her
think she was kidnapped by her father's enemies. Gillick bonds with Isabel and
the team makes plans to transport her back to Mexico, intending to leave her in
territory controlled by her father's rivals in order to further escalate the
conflict. However, the Mexican police escort for their trip back
across the border double-cross them and attack the American vehicles. Graver
and his team kill dozens of Mexican policemen to escape the ambush. Isabel
flees the scene amidst the chaos and Gillick goes after her alone. Meanwhile,
the American government determines that at least two of the suicide bombers in
Kansas City were actually domestic terrorists, not foreign nationals and thus
were not smuggled into the United States by the cartels. In order to quell
tensions with Mexico, the Secretary of Defense orders the CIA to abandon the
mission and erase all proof of American involvement by having Isabel killed as part of the
cover-up. Graver in turn orders Gillick to kill Isabel, but he refuses and
turns rogue to keep her alive. Graver assembles his team to hunt them down in
Mexico. Gillick and Isabel move to enter the United States disguised as illegal immigrants, as it would be
illegal for the CIA to execute Isabel on American soil. Miguel (Elijah
Rodriguez), a young Mexican-American coyote (who had made appearances
throughout the movie), recognizes Gillick from a previous encounter in a
parking lot in Texas. He alerts his boss and Gillick and Isabel are captured.
Miguel is forced to execute Gillick. He shoots Gillick and the gang leaves him
for dead. Miguel is disappointed with the gang and abandons them shortly after.
Graver and his team track down the Mexican gang and Isabel with the help of a
GPS transmitter inserted into her shoe, and kill all the gang members. Graver
decides to bring Isabel back to the United States and put her in witness
protection rather than following his orders. Meanwhile, Gillick wakes up
finding the bullet went through his cheek, takes one of the gang members' cars
and drives for the border; killing a couple of criminals after encountering
them along the road. One year later, Gillick has recovered from his injuries.
He locates Miguel and asks him if he wants to be a sicario. Catherine Keener stars as
Cynthia Foards, the head of the DEA operations and Matthew Modine co-stars as
the Secretary of Defense James Riley. The men-with-guns story quickly
takes on the deceitful tone of the first film and builds on it brilliantly.
What I like about Sicario is that it tells it like it is and doesn’t hide away
from the fact that in these instances there are no real winners. It is not an
altogether nice story and it is pretty violent but it is worthy. It is grim
but necessary. Stefano Sollima’s style matched that of the first film but
I think he added his own elements. There is said to be a third film and if this
is the case then maybe they should have another director bring something new to
the franchise. It is only slightly a shame that Villeneuve didn’t return but it
was only because he was making Arrival and Blade
Runner 2049 – so I’m actually rather glad he didn’t.
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