Bad Taste
Dir: Peter Jackson
1987
*****
I remember when I was a kid, around ten years old, I would wander into
our local video shop and gaze up at the top shelf of VHS tapes for
rent. The top shelf towards the back of the shop was full of horror – films I
was too young to rent and too scared to even attempt to rent from the son of
the owner who would rent to us underage kids in exchange for sweets, comics and
a little extra money. I remember the order the films sat vividly as they were
there for years and I would obsess over them, wondering which one I would rent
first when I turned 18. From left to right it was Alien, Killer Klowns From
Outer Space, the 1988 remake of The Blob, The Stuff, Scanners, Transmutations and Bad Taste. The box art for The
Stuff, Scanners and Aliens scared me the most and Killer Klowns
From Outer Space confused me as I had no concept of horror comedy at this
point. Bad Taste intrigued me. What the hell was it? The VHS cover
just had a face that looked like it was made from mash potato sticking up his
middle finger. I got the impression that the film wasn’t without humour but
that it also had a nasty edge to it. When I finally watched it many years later
I found that I wasn’t wrong. I don’t usually go for splatter films but I think
Peter Jackson’s early works are on the best side of the sub-genre, although it
is one of the few films where I honestly thought I was going to be physically
sick. What I wasn’t expecting (we didn’t know who Peter Jackson was back then)
was a low-budget Aussie comedy that was equally
as humorous as it was disgusting. The special effects are old school
at their finest. This is passionate film making on a shoe-string, a
million miles away from Lord of the Rings but in the same realms of cult
greatness. At some point in the 1980s, the Astro Investigation and Defence
Service (AIDS) sends Derek, Frank, Ozzy, and Barry to investigate the
disappearance of the entire population of the town of Kaihoro. They find the
town has been overrun by space aliens disguised as humans in blue shirts. Barry
kills one of the aliens and is attacked by others. After Derek notifies Frank
and Ozzy, he begins torturing Robert, an alien they caught earlier. Robert's
screaming attracts a number of aliens in the area. Derek kills the would-be
rescuers, but he is attacked by Robert and falls off a cliff ledge, to his
presumed death. Meanwhile, a charity collector named Giles is passing
through Kaihoro. He is attacked by Robert, but escapes in his car. He stops at
a nearby house for help. Another alien answers the door and captures Giles. He
later wakes up in a tub of water filled with vegetables and is told he is about
to be cooked and eaten. Derek also wakes up to find that he landed in a
seagull's nest. He also finds that his brain is leaking out the back of his
head, so he stuffs it back in and uses a hat to hold it in place. That
night, Frank, Ozzy, and Barry infiltrate the aliens' house and find a room
filled with bloody cardboard boxes. They kill a nearby alien and Frank wears
its shirt to infiltrate an alien meeting. He finds out that the residents of
Kaihoro have been harvested for alien fast food. Robert vomits into a bowl,
which the aliens dine on, including the disguised (and disgusted) Frank. He
escapes and tells the others of the plan. They sneak out to save Giles as the
aliens sleep. At sunrise, they try to leave but are attacked by the
aliens, which quickly dissolves into a gunfight. Derek emerges and his hat is
shot off due to the ensuing gunfire, and he starts losing more of his brain, so
he uses his belt as a headband. He grabs a chainsaw from the boot of his car
and heads for the alien house. As the boys leave with Giles, the alien leader
(Lord Crumb) and his followers transform into their true form and follow. Ozzy
uses a rocket launcher to blow up Frank's car, which has been overrun by
aliens. Frank and Ozzy hunt for Lord Crumb and kill many aliens along the
way. Meanwhile, Derek kills an alien with his chainsaw and replaces the missing
parts of his brain with its brain. An alien prepares to shoot Frank and Ozzy,
but it is beheaded by Derek after he bursts through the wall behind it. Frank
and Ozzy are shocked to see him alive. After they escape the house, Lord
Crumb shoots Ozzy in the leg and Frank fires his rocket launcher at the leader,
but it misses and almost hits Derek, finally taking out a sheep in a nearby
meadow. Derek is knocked out by Lord Crumb and the house transforms into a giant space ship, which blasts off
into space with Derek still aboard. On board, Derek looks out the window
to see that he is leaving Earth. Crumb is then killed by Derek, who ambushes
him and cuts through the alien with his chainsaw. Derek proclaims into his
phone: "I'm coming to get you bastards!" He then puts on the alien
leader's skin, laughing maniacally as he rockets towards the alien planet. On
Earth, the rest of the group drive away into the sunset in Derek's car. When
most people see Peter Jackson they think of Lord of the Rings, the not
brilliant King Kong remake or the horrible adaptation of The Lovely Bones – as
well as loads of other films he’s been connected with only to drop
out at the last minute (usually leaving Guillermo del Toro the chance to take
over). Not me though, when I think of Peter Jackson I think ‘Derek’. The image
of Robert the alien giving us the finger is now the stuff of 80s horror legend.
It is about as iconic as low-budget horror gets and it is utterly glorious. I
don’t like feeling like I’m about to throw up but I congratulate any
film maker who makes me feel that way intentionally. I’m not sure which was
more vomit-inducing; watching Derek trying to push his own brain back in or
watching Frank eating alien vomit. Heavily influenced by special effects
pioneer and legend Tom Savini, Jackson
incorporated many absurdly gory special effects that matched
the humour of the script and performances perfectly. Much of the film was shot
in and around Jackson's hometown of Pukerua Bay, north of Wellington, using a
25-year-old 16mm Bolex camera. Originally begun as a
20 minute short film called 'Roast of the Day', the film was shot
primarily on weekends over the course of four years, at an initial cost of
around $25,000. Toward the end of the shoot the New Zealand Film
Commission invested around $235,000 into the film to ensure its
completion. All the alien masks in the film were baked in Peter Jackson's
mother's oven. Like all great low-budget horror films of the 70s/80 Bad Taste
was banned, however, many disagreed with the decision and it eventually lead to
the firing and dissolution of the Queensland Film Board of Review in 1990.
There have been several cuts over the years but the original is always best.
During his acceptance speech at the 2004 Academy Awards for winning
Best film for Lord of the Rings, Jackson mentioned Bad Taste (along
with Meet the Feebles), joking that it had been
"wisely overlooked by the Academy.” Give me Bad Taste and Meet the Feebles
over Lord of the Rings any day of the week.
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