Mr. Holmes
Dir: Bill Condon
2015
***
I'm rather split down the middle with Mr. Holmes, the 2015 adaptation
of Mitch Cullin's 2005 novel A Slight Trick of the Mind. I have issue with
writers meddling with fictional characters that are not their own, although I
have enjoyed such ventures in the past. One man's positive is another man's
negative, I admire this honest look at a retired and rather elderly Sherlock
Holmes but this isn't the Arthur Conan Doyle character that I, and many others,
fell in love with. I enjoyed Guy Richie's 2009 and 2011 versions, I love 1985's Young
Sherlock Holmes and I'm quite
fond of Basil the Great Mouse Detective, none of these
films are 100% authentic either but the big difference is that they had to be
about the great detective in order to work, while Mr. Holmes, broken
down, could have been written about anyone. Essentially the story is of an
aging man (93 years old) who has a few memories to revisit, a few lessons left
to learn and has a few thing he needs to put right before he can rest. It
really could have been attached to many an array of characters but the
name Sherlock Holmes surely sold a lot of books and put many bums on
seats. I don't have a problem with this at all, I just missed the beautiful
language of the originals. The story does explore the myth and the reality of
the character which is interesting, you almost start believing that he was
indeed a real person. I missed the true detective work, there are a few
examples but they are rather simplistic, such is the nature of the film. The
film's real strength is the remarkable performance from Sir Ian McKellen.
He harnesses his inner John Gielgud and gives the character
a truly original take. The supporting cast are also impressive, with
great performances from Laura Linney, Hattie Morahan and young Milo Parker as
well as other short but sweet appearances from Roger Allam and John
Sessions. Nicholas Rowe's cameo as a screen actor playing Holmes in a scene whereby
Sherlock watches one of the last films made about he and Watson has to be my favourite
cameo of the year. Subtle and rather gentle, it's actually quite a
refreshing tale but it left me wanting to watch one of the classics, which I'm
not sure is a good or bad sign really.
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