Satan's
Little Helper
Dir: Jeff
Lieberman
2004
****
Jeff
Lieberman's 2004 horror, Satan's Little Helper, is a film to two
halves in many respects. It is one of those funny films that doesn’t seem that
great when you’re watching it but grows on you in retrospect. The idea is very
simple but somewhat original. It is rather masterfully in its creepiness and
features some rather unexpectedly harsh splashes of horror but something always
seems a miss and not quite right. I don’t know why I kept second-guessing it
really but I think I tried to convince myself that a man in a scary suit just
isn’t scary anymore, but in the case of Satan's Little Helper, I think it is. It begins with Douglas
'Dougie' Whooly, a nine-year-old boy obsessed with a video game, in which he
plays Satan's little helper. His sister Jenna comes home from college for
Halloween, but things turn sour when Dougie finds out she brought her
boyfriend, Alex, with her. After a fall out with Jenna, Dougie wanders off and
finds a man dressed in a cheap costume arranging a dead body on his lawn as if
it were a decoration. Dougie naively believes the man is Satan, and asks him
for help in sending Alex to Hell, which "Satan" nods assent to. In
the meantime, Alex comes up with the idea of bonding with Dougie by dressing as
Satan for Halloween. When Dougie comes back home, he tries to lure Alex into
the basement where Satan is waiting for him, but fails. Dougie ends up changing
plans to instead have Alex ambushed by Satan while he and Alex go out shopping
for a Satan costume, where Alex ends up being left for dead. Dougie brings
Satan home, whom everyone believes to be Alex. Despite Satan becoming
forcefully, physically intimate with Jenna and his unwillingness to speak,
Jenna interprets these as Alex's devotion to his Satan costume. When Satan and
Dougie leave to get Halloween candy, they end up shoplifting a market for candy
and tools, where Satan subsequently kills a bagger who
tries to stop them and the two engage in a brief physical assault spree with
their shopping cart. On the way home, Satan engages in a combination of
assaulting and killing several more people, including Alex's estranged dad,
before he and Dougie are accosted by the police. Satan indicates to Dougie to
run home while he confronts the police, who are later found to be dead. In the
meantime, it is revealed that Alex has survived, who finds out from a babbling
man that all the police on the island are dead and the police station is on
fire. When Dougie comes back home, he tells Jenna about what he and Satan have
done. Still thinking that it is Alex in the Satan costume, Jenna begins to
think that Alex is pushing the game too far. After he comes home, his new
personality starts to frighten her, and she realizes he is not Alex. Dougie's
father comes home, and Satan murders him. He kidnaps their mother, which makes
Jenna and Alex go after him, only to think it's Alex's dad who is responsible,
but are tricked by the killer repeatedly changing costumes and putting his old
one on a victim - including a Jesus costume to trick Dougie into letting him
into the house multiple times by saying that it is God coming to save him. In
the end, Jenna and Mrs. Whooly accidentally kill Alex and are left at home with
Dougie and a police man who spray paints a 6 on their home beneath their
address, 66. It's the Satan Man. What happens next is open to
interpretation. The film doesn't suffer the usual cliches attached to horror
films, apart from the fact that the acting is sometimes questionable and
the character’s reactions are unrealistic but on the whole it is generally well
rounded. Having the brilliant Amanda Plummer in the cast helps a great deal.
Non-horror fans won't like it for obvious reasons and occasional horror views
might not think much of it but horror connoisseurs will admire its quirkiness,
humour and unpredictability. The 'Killer' was never going to reach Freddy or
Jason status, but dressing him up as Jesus for the second half of the film was
an act of utter genius. The film went from being run-of-the-mill to existentially
brilliant with just one simple costume change. It just goes to show, any
straight-to-video horror can become a cult movie if they have that one special
quirk. It is also rare that such a film can excel at such dark comedy and
humour so effortlessly without it becoming a confusing mess. A highly
underrated gem that is still waiting to be discovered by a larger audience.
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